Learning First Hand

When you look at my hands, what do you see? Aside from the obvious eight fingers, two thumbs and two palms you might notice a few scars, the huge lump on my middle finger from years of drawing with a pencil, but they are hands not much different from your own. When I look at my hands, I see so much more. I see where I came from and where I am bound to end up. You see, the older I get, the more I see that I have the same hands as my father.

My Dad embodies the phrase “what doesn’t kill you makes you stronger” and he certainly applied this philosophy to his parenting style. For example, when my brother and I were about 4 & 5 we helped my Dad weatherproof our back porch. That may sound a bit crazy but just wait, it gets better. You see, at that time my parents didn’t have a lot of money so the most cost effective option was to use black tar. Imagine for a moment, giving a 4 year old a paint brush the size of his head and saying, “there’s a bucket of tar, get to it!”. Needless to say, my brother and I were covered in tar within the first five minutes.

But even after using an exorbitant amount of gasoline to clean us (yes gasoline; my father’s favorite method of disinfecting) My brother and I survived. We survived the years of living in a construction site as Dad built our house. Even roofing it at the age of 11 with the safety precaution of a thin yellow rope tied around our waist, there was no shortage of lessons to be learned the hard way. Lessons like why not to play with knives, watch out for closing doors, how to swing a hammer without smashing your thumb, and so many more.

Of course, not all of those lessons were learned firsthand. Some were through observation like the time when I was about 16. My dad and I were building something together and he was cutting a piece of wood on his rusty old band saw. Now they say that a dull tool is far more dangerous than a sharp one and after that day I know why but I’m not quite sure where I heard that. It definitely wasn’t from my pops because as he was pushing the wood through the dull blade, the piece slipped out and his thumb went right into the saw. He managed to stop it just before the blade hit bone. He came rushing into the house yelling “Ben! Get the band-aids!” In true Dad fashion, he rinses it off, had me put a gob of polysporin on it and about four band-aids later we went back to work. I said “shouldn’t you get stitches?” He said, “Naw, if I hold it above my head it stops throbbing”.

Even though I have my own set of scars, bumps, and calluses I have the same veiny hands as my father. They are the same strong, creative, and capable hands that he has, that my uncles have, and my grandfather had too. These are Frisch hands. Mostly everyone else with these hands is a mason but they have all been exceptionally crafty people. I’ve learned a lot by watching hands just like these do some incredible things, some funny things, and some downright stupid things. The good news is that everyone who has these hands never stops creating. From houses and stone fireplaces, to art and furniture, these hands were made for building and being creative and I know I will only stop making art when I die. The bad news is that there are, without a doubt, many more scars to come. But I will always remember that all I need to do is just keep my hand above my head and everything will be alright.

She Waits For Nothing

She lies in wait
A vessel in open water
Inhale
Dream of her in static waves
While grey clouds pass you by
High above the tall grass and rooftop lounge rats
She calls my name
Exhale
Words unspoken
Peel from the walls of this old house
Walls left beaten by the storm
I wonder what it will be like when shecomes home
Wait
She is fleeting
Unrelenting as a desert sun
Lying still
Seagulls gather
Inhale
A breath she once held
A breath she will hold again
Exhale
Rolling over endless waves
Floating under a constant setting sun
She waits for nothing
But her next life-giving breath

I Feel Like I Owe Everyone An Explanation.

It was about 9 months ago that I started planning a trip to Africa. It was a pretty huge undertaking, a bike trip that spanned the entire length of the continent. It was 12,000 kilometers done over 4 months of riding 6 days a week. 

I once used a quote by Hugh Prather to describe what i was doing and why i was doing it. He said: “A time comes when you need to clean house. No, you need to go even further; you need to burn the house down with yourself inside it. Then you must walk from the fire and say, I have no name” To me, Africa was a way of reinventing myself; of burning the house down and I was getting ready to douse the place with gasoline.

I was at a place in my life where I just came back from living in Guatemala for 5 weeks. We lived on a farm where we cooked over a fire, had cold showers, washed our clothes by hand, and peanut butter (on anything) was our greatest pleasure. Perhaps it was a bit of culture shock but coming home to my comfortable apartment just didn’t feel right. It was like I finally realized something had been missing, and with new perspective, the void was twice the size and now unbearable. I needed to get out and I needed to ensure that this time, when I get back, the old me is nowhere to be found. Perhaps that’s a tad over dramatic but basically i just needed a change.
Well a lot has happened in those 9 months since then. Aside from covering a lot of kilometers on my new “Africa bike”,  I met a girl. And while I do tease her occasionally for putting the kibosh on my trip (it is official) the truth is this:
I found another path; a route to a life that i want to live. One that is being true to myself, finding happiness and sharing it with the woman I love. You and I both know that my true passion is fine art… so why would I stray away from that? With a new outlook and more motivation and support than ever, I am refocusing on being happy, relationships,and art. Instead of spending all my money on going to Africa for four months I’m putting it towards the rest of my life. I have purchased a booth at the National Home Show in Toronto and I am exhibiting furniture and art for the full 10 day show.
The bike trip was pulling my focus from what i love and it was a road block in the direction I need to go at this point in my life. Passion has a way of keeping you focused and although I have put Africa aside, for now, my hope is that I will find my way there before i come to the end of the road. I do have a passion for travel and adventure but art will always prevail.
I will be following my dreams and I hope you will join me February 18th to the 27th – The National Home Show – Direct Energy Center, Exhibition place Toronto. for more information go to www.nationalhomeshow.com

A Net Cast into a Sea of Genetics

I find it truly frightening to consider the countless variables that have come together to bring any one person into existence. Although I have mentioned previously that simple answers displease me, in an effort to save my sanity, I will just accept that I do exist and that my purpose is merely what I make it.

However, if I look at it on a surface level, in a matter of consequence, my existence is as simple as looking at a family tree. A man and a woman came together, reproduced, that offspring grew up and did the same; all the while the world continues to turn. My own family history is unknown to me beyond a short distance but I do know that from my mother’s side comes a long list of art lovers and hobbyists with a flare for the dramatic. While from my father’s side comes more of a live for the outdoors, go big or go home, and make it from scratch type of people. Of course, being a product of both genetic lines, my personality could essentially be summed up by both statements.

Although many of my relatives on my mother’s side pursued an interest in the arts, none that I know of found a career in visual arts. Perhaps it is the entrepreneurial zest from my father’s side that gives me the confidence and dedication to pursue such a perilous career. Interestingly enough however, I do own one heirloom that has given me a little more insight into my family tree and is a constant reminder of my artistic bloodline.

The item is a small painting box given to me by my mother. There is nothing special about the look of the box; it is very plain with a surprisingly clean appearance. Just a few paint and ink stains dot the surface as well as a few minor scratches. Crowded inside the box, among the dividing walls are a handful of watercolor paints, brushes and some calligraphy pens that came with the heirloom.

The interesting thing about this box is a small grey and stained piece of paper, glued to the inside of the lid, over top of the yellowed manufacturer’s label. Written with typewriter, the paper reads:

This paint box belonged to
CARROLL IGNATIUS WAY
(1879 — 1929)
And was used later by his sister
ALICE WAY McDONALD
(1880 — 1965)
I have often thought of adding an inscription of my own to bring the box up to date which would read:
And was used later by her son
ROBERT FRANCIS McDONALD
(1912 — 2005)
And was used later by his niece
MARGERY ELLEN FRISCH
(1952 –)
And was used later by her son
BENJAMIN PHILLIP FRISCH
(1982 –)

Foreword

I enjoy the word vocation. Vocation seems to be a much stronger word than career or profession because a vocation is not simply a means of income but rather something you must do or that you are born to do with your life. Some often refer to a talent as a gift from God, but skill comes to no one quickly; we all work hard to be good at what we do.

The drive to pursue your calling and to constantly refine any skill is in my opinion, a more likely gift from your divine philanthropist. A skill is a physical task, that as human beings, we are generally all capable of performing. However, the motivation to hone any skill and to build your life around it, comes from somewhere inside of us that is truly questionable.

To draw is to scrape charcoal across a piece of paper; a skill that again, can be performed by even a young child. So why as a young child could I not stop drawing? Is there something inside of me that understood my vocation from birth? What was it that motivated me to pursue this skill with every fiber of my being and refine a simple ability into an exceptional talent?

To me, a gift from God is a very simple answer to a complex question and quite frankly, not good enough for me. I believe that there are an infinite number of very specific factors that come together to make us who we are and drive our lives in a seemingly predetermined direction. To answer those questions and understand why I am an artist, I need to examine as many of those factors as I can because I am never truly satisfied with an easy answer. I need to dig deep; into my mind, into my genetics, and into as many child hood experiences as I can to understand what brought me to where I am today.

Growing up with a wonderfully supportive family is one factor that will be examined in great detail throughout this process. Nevertheless, it is mainly due to a loving mother that almost all of my childhood art was maintained. It is because of her that I am able to share this art with you. It is because of her that I am given this opportunity to see where I came from as an artist and what drove me to pursue my talent. This rare body of work will be used to examine these questions in much greater detail, where I hope to find answers, to learn more of who I am, and to outline the very evolution of the artist.